This Fonds consists of 4 metres of textual material, photographs, slides and oversize items. The records in this fonds range in date from 1926 to 1985 and document Ken Lochhead’s activities as an artists. Predominant portions of the records relate to art exhibitions, his finances from 1953 to 1979, commissions and projects, and correspondence with other members of the “Regina Five”. Few records in this collection relate to his directorship of the School of Art at Regina Campus.

Kenneth Campbell Lochhead – Mural Studies Includes 168 oversize, 74 slides, 1 video tape and [6] photographs

The Fonds consists of 1332 Slides of Artworks. The records in this collection range from 1979 to 1995.

This collection consists of 432 centimetres of textual records, 4,433 photographs, 547 slides, 18 video cassette tapes, 33 audio cassette tapes, as well as some oversize. The collection was donated by the estate of the artist. The records in this collection include biographical and educational material, correspondence, curriculum vitae and employment history, professional organizations, publications, visual reference material as well as honours and awards. The date range is from 1911 – 2008, 1950s-2003 predominant.

This collection consists of 1.82 metres of textual records, 1115 photographs (including 7 oversize and 5 panoramas), 1 slide, 2 audio cassette tapes, 3 contact prints, 13 folders of oversize material and 3 oversize boxes. The date range is from [1937] to 2011.

This fonds consists of 6 cm of slides. The slide materials are related to accession 86-29.

The records in this collection include biographical and educational material, correspondence, curriculum vitae and employment history, professional organizations, publications, visual reference material as well as honours and awards. The date range is from 1911 – 2008, 1950s-2003 predominant.

This collection of sketchbooks neatly dovetails with the Ken Lochhead Paper (86-29). Lochhead came to the University of Saskatchewan, Regina College in 1950 to the new School of Art. In 1955 he began a series of artists’ workshops at Emma Lake in northern Saskatchewan. He spent time at Emma Lake and in Regina sketching. One can trace the evolution of his style through these sketches. Special trips, a sabbatical to Rome in 1958-59, a
trip to England, Wales and Scotland in 1976, and a trip to Nazarre, Portugal in 1981 gave him fresh opportunities to explore through sketching. The collection of sketchbooks is small but the wealth of information and detail is great, and the visual delights are many. To keep all material together, this collection has been placed in oversize boxes (1/4 – 4/4).

The records in this collection range from 1974 to 2005.

This accession contains one printed copy of Godwin’s writing The Days were kinda like that The nights I don’t remember.