Accession 2024-2 - Write Ups

Bereich 'Titel und Anmerkung zur Verantwortlichkeit'

Haupttitel

Write Ups

Allgemeine Werkstoffbezeichnung

  • Textdokument

Paralleler Titel

Andere Titelinformation

Titelangaben zur Verantwortlichkeit

Anmerkungen zum Titel

  • Quelle des genauen Titels: Title generated by creator

Erschließungsstufe

Accession

Signatur

CA URASC F42-2024-2

Bereich "Edition"

Edition statement

Edition statement of responsibility

Class of material specific details area

Angaben zum Maßstab (kartografisch)

Angaben zur Projektion (kartografisch)

Angaben zu Koordinaten (kartografisch)

Angaben zum Maßstab (architektonisch)

Issuing jurisdiction and denomination (philatelic)

Bereich "Entstehungszeitraum"

Datum/Laufzeit

  • 1960-2014 (Anlage)
    Urheber/Bestandsbildner
    Nugent, John

Bereich 'Physische Beschreibung'

Physische Beschreibung

  • 1 cm
  • 1 file

Publisher's series area

Haupttitel der Verlagsreihe

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Bereich "Archivische Beschreibung"

Name des Bestandsbildners

(1921-2014)

Biographische Angaben

John Nugent was born in Montreal on January 5, 1921, and studied at St. John’s University (Collegeville, Minnesota). Nugent taught at the University of Regina from 1970 to 1985.

In 1948, he moved to Lumsden, Saskatchewan and in the 1960’s he began accepting liturgical commissions. While expressive, his simple forms were being met with some resistance from parishioners as well as church officials.

After a trip to New York in 1961, where Nugent visited the studio of an American sculptor named David Smith, Nugent’s work was influenced toward welded steel abstractions.

Examples of controversy induced by Nugent’s work include commissions by then Premier Ross Thatcher and also the Canadian Grain Commission. Nugent had proposed an abstract monument of Louis Riel, which was rejected in favor of a more detailed, representational approach. Nugent then submitted a heroic nude figure but was forced to add clothing. This figure was unveiled in 1968 and was removed from the Saskatchewan Legislature grounds in 1991. Nugent’s #1 Northern (1976) was also removed in 1978 from its site in from of Winnipeg’s Canadian Grain Commission building, but was restored in 1997.

The Banff Centre, the National Capital Commission in Ottawa, and the CBC Broadcast Centre in Regina, all have commissions by Nugent and in 1983 a major retrospective, “John Nugent: Modernism in Isolation” was organized by the MacKenzie Art Gallery.

In the 1990s this artist refocused his attention from sculpture to photography and his photography is also found in collections of the MacKenzie Art Gallery, the Robert McLaughlin Gallery (Oshawa), Saskatchewan Arts Board, the University of Regina, Winnipeg Art Gallery and many others. His studio has been designated as Provincial Heritage Property in recognition of his reputation as an important Saskatchewan artist and also as an astute example of modernist architecture designed by renowned architect Clifford Wiens.

John Nugent died in March 2014.

Bestandsgeschichte

Material in the care of Karen Nugent prior to donation

Eingrenzung und Inhalt

Accession includes newspaper clippings, magazine articles, and other press material pertaining to John Nugent from 1960 to 2014; kept and curated by John Nugent.

Bereich "Anmerkungen"

Physischer Zustand

Abgebende Stelle

Donated by Karen Nugent on February 1, 2024

Ordnung und Klassifikation

Original order maintained

In der Verzeichnungseinheit enthaltene Sprache

    Schrift in den Unterlagen

      Aufbewahrungsort der Originale

      Small Accessions

      Verfügbarkeit anderer Formate

      Zugangsbeschränkungen

      Open to researchers

      Bestimmungen, die die Benutzung, Reproduktion und Veröffentlichung regeln

      Findmittel

      Verbundene Materialien

      Verwandte Materialien

      Zuwächse

      Further accruals are not expected

      Allgemeine Anmerkung

      Newspaper clippings were preservation photocopied and disposed of for preservation purposes.

      Alternative Identifikatoren/Signaturen

      Standardnummer

      Standardnummer

      Zugriffspunkte

      Zugriffspunkte (Thema)

      Zugriffspunkte (Ort)

      Zugriffspunkte (Name)

      Zugriffspunkte (Genre)

      Bereich "Kontrolle"

      Beschreibungsdatensatzkennzahl

      Archivcode

      URASC

      Regeln und/oder Konventionen

      Status

      Final

      Erschließungstiefe

      Daten der Bestandsbildung, der Überprüfung und der Skartierung/Kassierung

      Sprache der Beschreibung

        Schrift der Beschreibung

          Quellen

          Bereich Zugang