Zona do título e menção de responsabilidade
Título próprio
Designação geral do material
Documento textual
Título paralelo
Outra informação do título
Título e menções de responsabilidade
Notas ao título
- Fonte do título próprio: Title generated by creator
Nível de descrição
Entidade detentora
Código de referência
Zona de edição
Menção de edição
Menção de responsabilidade da edição
Zona de detalhes específicos de materiais
Menção da escala (cartográfica)
Menção da projecção (cartográfica)
Menção das coordenadas (cartográfico)
Menção da escala (arquitectura)
Autoridade emissora e denominação (filatélica)
Zona de datas de criação
Data(s)
-
1960-2014 (Produção)
- Produtor
- Nugent, John
Zona de descrição física
Descrição física
1 file
Zona dos editores das publicações
Título próprio do recurso continuado
Títulos paralelos das publicações do editor
Outra informação do título das publicações do editor
Menção de responsabilidade relativa ao editor do recurso contínuo
Numeração das publicações do editor
Nota sobre as publicações do editor
Zona da descrição do arquivo
Nome do produtor
História biográfica
John Nugent was born in Montreal on January 5, 1921, and studied at St. John’s University (Collegeville, Minnesota). Nugent taught at the University of Regina from 1970 to 1985.
In 1948, he moved to Lumsden, Saskatchewan and in the 1960’s he began accepting liturgical commissions. While expressive, his simple forms were being met with some resistance from parishioners as well as church officials.
After a trip to New York in 1961, where Nugent visited the studio of an American sculptor named David Smith, Nugent’s work was influenced toward welded steel abstractions.
Examples of controversy induced by Nugent’s work include commissions by then Premier Ross Thatcher and also the Canadian Grain Commission. Nugent had proposed an abstract monument of Louis Riel, which was rejected in favor of a more detailed, representational approach. Nugent then submitted a heroic nude figure but was forced to add clothing. This figure was unveiled in 1968 and was removed from the Saskatchewan Legislature grounds in 1991. Nugent’s #1 Northern (1976) was also removed in 1978 from its site in from of Winnipeg’s Canadian Grain Commission building, but was restored in 1997.
The Banff Centre, the National Capital Commission in Ottawa, and the CBC Broadcast Centre in Regina, all have commissions by Nugent and in 1983 a major retrospective, “John Nugent: Modernism in Isolation” was organized by the MacKenzie Art Gallery.
In the 1990s this artist refocused his attention from sculpture to photography and his photography is also found in collections of the MacKenzie Art Gallery, the Robert McLaughlin Gallery (Oshawa), Saskatchewan Arts Board, the University of Regina, Winnipeg Art Gallery and many others. His studio has been designated as Provincial Heritage Property in recognition of his reputation as an important Saskatchewan artist and also as an astute example of modernist architecture designed by renowned architect Clifford Wiens.
John Nugent died in March 2014.
História custodial
Material in the care of Karen Nugent prior to donation
Âmbito e conteúdo
Accession includes newspaper clippings, magazine articles, and other press material pertaining to John Nugent from 1960 to 2014; kept and curated by John Nugent.
Zona das notas
Condição física
Fonte imediata de aquisição
Donated by Karen Nugent on February 1, 2024
Organização
Material arranged into chronological order
Idioma do material
Script do material
Localização de originais
Small Accessions, 2024-2
Disponibilidade de outros formatos
Restrições de acesso
Open to researchers
Termos que regulam o uso, reprodução e publicação
Instrumentos de descrição
Finding aid available
Materiais associados
Ingressos adicionais
Further accruals are not expected
Nota geral
Newspaper clippings were preservation photocopied and disposed of for preservation purposes.