Zone du titre et de la mention de responsabilité
Titre propre
Dénomination générale des documents
Document textuel
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
- Source du titre propre: Title generated by creator
Niveau de description
Cote
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
1960-2014 (Création/Production)
- Producteur
- Nugent, John
Zone de description matérielle
Description matérielle
1 file
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
John Nugent was born in Montreal on January 5, 1921, and studied at St. John’s University (Collegeville, Minnesota). Nugent taught at the University of Regina from 1970 to 1985.
In 1948, he moved to Lumsden, Saskatchewan and in the 1960’s he began accepting liturgical commissions. While expressive, his simple forms were being met with some resistance from parishioners as well as church officials.
After a trip to New York in 1961, where Nugent visited the studio of an American sculptor named David Smith, Nugent’s work was influenced toward welded steel abstractions.
Examples of controversy induced by Nugent’s work include commissions by then Premier Ross Thatcher and also the Canadian Grain Commission. Nugent had proposed an abstract monument of Louis Riel, which was rejected in favor of a more detailed, representational approach. Nugent then submitted a heroic nude figure but was forced to add clothing. This figure was unveiled in 1968 and was removed from the Saskatchewan Legislature grounds in 1991. Nugent’s #1 Northern (1976) was also removed in 1978 from its site in from of Winnipeg’s Canadian Grain Commission building, but was restored in 1997.
The Banff Centre, the National Capital Commission in Ottawa, and the CBC Broadcast Centre in Regina, all have commissions by Nugent and in 1983 a major retrospective, “John Nugent: Modernism in Isolation” was organized by the MacKenzie Art Gallery.
In the 1990s this artist refocused his attention from sculpture to photography and his photography is also found in collections of the MacKenzie Art Gallery, the Robert McLaughlin Gallery (Oshawa), Saskatchewan Arts Board, the University of Regina, Winnipeg Art Gallery and many others. His studio has been designated as Provincial Heritage Property in recognition of his reputation as an important Saskatchewan artist and also as an astute example of modernist architecture designed by renowned architect Clifford Wiens.
John Nugent died in March 2014.
Historique de la conservation
Material in the care of Karen Nugent prior to donation
Portée et contenu
Accession includes newspaper clippings, magazine articles, and other press material pertaining to John Nugent from 1960 to 2014; kept and curated by John Nugent.
Zone des notes
État de conservation
Source immédiate d'acquisition
Donated by Karen Nugent on February 1, 2024
Classement
Material arranged into chronological order
Langue des documents
Écriture des documents
Localisation des originaux
Small Accessions, 2024-2
Disponibilité d'autres formats
Restrictions d'accès
Open to researchers
Délais d'utilisation, de reproduction et de publication
Instruments de recherche
Finding aid available
Éléments associés
Accroissements
Further accruals are not expected
Note générale
Newspaper clippings were preservation photocopied and disposed of for preservation purposes.