Área de título y declaración de responsabilidad
Título apropiado
Tipo general de material
Documento textual
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
- Fuente del título: Title generated by creator
Nivel de descripción
Institución archivística
Código de referencia
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
1960-2014 (Creación)
- Creador
- Nugent, John
Área de descripción física
Descripción física
1 file
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
John Nugent was born in Montreal on January 5, 1921, and studied at St. John’s University (Collegeville, Minnesota). Nugent taught at the University of Regina from 1970 to 1985.
In 1948, he moved to Lumsden, Saskatchewan and in the 1960’s he began accepting liturgical commissions. While expressive, his simple forms were being met with some resistance from parishioners as well as church officials.
After a trip to New York in 1961, where Nugent visited the studio of an American sculptor named David Smith, Nugent’s work was influenced toward welded steel abstractions.
Examples of controversy induced by Nugent’s work include commissions by then Premier Ross Thatcher and also the Canadian Grain Commission. Nugent had proposed an abstract monument of Louis Riel, which was rejected in favor of a more detailed, representational approach. Nugent then submitted a heroic nude figure but was forced to add clothing. This figure was unveiled in 1968 and was removed from the Saskatchewan Legislature grounds in 1991. Nugent’s #1 Northern (1976) was also removed in 1978 from its site in from of Winnipeg’s Canadian Grain Commission building, but was restored in 1997.
The Banff Centre, the National Capital Commission in Ottawa, and the CBC Broadcast Centre in Regina, all have commissions by Nugent and in 1983 a major retrospective, “John Nugent: Modernism in Isolation” was organized by the MacKenzie Art Gallery.
In the 1990s this artist refocused his attention from sculpture to photography and his photography is also found in collections of the MacKenzie Art Gallery, the Robert McLaughlin Gallery (Oshawa), Saskatchewan Arts Board, the University of Regina, Winnipeg Art Gallery and many others. His studio has been designated as Provincial Heritage Property in recognition of his reputation as an important Saskatchewan artist and also as an astute example of modernist architecture designed by renowned architect Clifford Wiens.
John Nugent died in March 2014.
Historial de custodia
Material in the care of Karen Nugent prior to donation
Alcance y contenido
Accession includes newspaper clippings, magazine articles, and other press material pertaining to John Nugent from 1960 to 2014; kept and curated by John Nugent.
Área de notas
Condiciones físicas
Origen del ingreso
Donated by Karen Nugent on February 1, 2024
Arreglo
Material arranged into chronological order
Idioma del material
Escritura del material
Ubicación de los originales
Small Accessions, 2024-2
Disponibilidad de otros formatos
Restricciones de acceso
Open to researchers
Condiciones de uso, reproducción, y publicación
Instrumentos de descripción
Finding aid available
Materiales asociados
Acumulaciones
Further accruals are not expected
Nota general
Newspaper clippings were preservation photocopied and disposed of for preservation purposes.