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Greg Curnoe (1936-1992), artist, lived most of his life in London, Ontario. He studied at the Special Art Program at H.B. Beal Secondary in London (1954-1956), the Doon School of Fine Arts (June-October 1956), and the Ontario College of Art (1957-1960). Curnoe married Sheila Thompson in 1965, and the couple had three children, Owen, Galen and Zoe. From Curnoe's early years, his hometown of London became the focus of his life and work, and he attracted much attention to its flourishing art scene. In 1962, he organized the first happening and the first artist-run gallery (the Region Gallery) in Canada. Curnoe played a key role in the founding of the Nihilist Party (1963) and the Nihilist Spasm Band (1965). He began making stamp books in 1962, and has been considered the first maker of artists' books in Canada. He founded the Forest City Gallery in 1973. Curnoe took up competitive cycling in 1971, and it remained a passion and ingredient in his art-making for the rest of his life. Over the course of his career, Curnoe was awarded numerous Canada Council and Ontario Arts Council Grants. From 1964, Curnoe exhibited nationally; in 1969 he represented Canada at the Sao Paolo Bienal in Brazil, and in 1976 at the Venice Biennale. He died in a traffic accident while cycling in 1992. Curnoe was the subject of a National Gallery of Canada retrospective in 1980, and the AGO exhibition Greg Curnoe: Life & Stuff in 2001. His work is to be found in all of Canada’s major public collections, as well as many private and corporate collections.

Michael James Aleck Snow (1929- ) is a Canadian painter, sculptor, filmmaker, photographer and musician. He was born in Toronto and educated at Upper Canada College and subsequently at the Ontario College of Art (1948-1952). After travels in Europe (1953-54) he worked for Graphic Films in Toronto (1955-56), producing his first independent film, A-Z. His first solo exhibition as a painter was at the Greenwich Gallery in Toronto in 1956. Between 1961 and 1967, mostly while living in New York, Snow produced work in the Pop-art mode based on the silhouette of a young woman, entitled Walking Woman, probably his most widely recognized creation. A series of 11 stainless steel sculptures of the image was created for the Ontario pavilion at Expo 67 and is now in the collection of the Art Gallery of Ontario. After moving to New York in 1964, he made films regarded as Minimalist, such as New York Ear and Eye Control (1964) and Wavelength (1966-67). Returning to Toronto in 1972, Snow worked mainly on cinematic and photographic projects including ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen. His work is concerned with the nature of media themselves, with perception and with the interrelation of language, sound and meaning. Snow has been the subject of exhibitions and retrospectives in Toronto, Vancouver and Paris.

James Stanley McLean (1876-1954), Toronto business executive and art collector, was president of Canada Packers and founder of the J.S. McLean Collection of Canadian art. He was born in Clarke Township, Durham County, Ontario. Having graduated from the University of Toronto in 1896, McLean became an employee of the Harris Abattoir Company in Toronto in 1901, rising to become president in the 1920s. He achieved a merger of his firm with three others in 1927, forming Canada Packers Limited — of which he was president until his death. J.S. McLean was a founder-member of the Art Gallery of Toronto and a member of its executive from 1934 until his death. He was a patron of Canadian art himself and started collecting in 1934. In 1939 he began to buy Canadian artworks of art to hang in the offices and other areas of Canada Packers’ plants across the country. The result was a significant collection amassed at a time when such art was not widely sought after. Among the creators of modern art in Canada, he focused especially on the work of A.Y. Jackson, Carl Schaefer, Paraskeva Clark and David Milne. In 1952 the collection was the subject of an exhibition at the National Gallery of Canada, Paintings and Drawings from the Collection of J.S. McLean. Many of the works lent for this exhibition were subsequently donated to the Art Gallery of Ontario. J.S. McLean died in Toronto in 1954.

Timothy Melvin Zuck, Canadian artist and educator, was born in 1947 in Erie, Pennsylvania. He attended Wilmington College from 1966-1967 and 1968-1969. There he majored in philosophy and psychology and took a few courses in art history and sculpture. In 1967-1968, Zuck joined his parents on a year-long mission to India, where he studied at Madras Christian College. Zuck received his Bachelor of Fine Arts from the Nova Scotia College of Art and Design (NSCAD) in 1971. While at NSCAD, he did performance, film, photographic and other process-oriented and conceptual projects. In Halifax Zuck met and married Robyn Randell. He then earned his Master of Fine Arts from the California Institute of the Arts in Valencia, California in 1972. After completing his graduate studies, Zuck returned to NSCAD in late 1972, where he was Assistant Professor until 1979. While teaching at NSCAD, he continued to work on his conceptual projects. In 1975, Zuck began to focus on painting, in which he had no formal training. In 1979, he resigned from NSCAD and began to paint full-time in Purcell’s Cove, near Halifax, Nova Scotia. Zuck became a Canadian citizen in 1983. The Zucks moved from Purcell’s Cove to Kingston, Ontario, where they lived from 1982-1984 and then lived for three years in downtown Toronto, where their daughter, Anna, was born in 1985. They then moved to Midland, Ontario. In addition to taking part in many artist expeditions, Zuck won a poster competition for the XV Olympic Winter Games in 1988 in Calgary, Alberta. He moved to Calgary in 2002 to teach at the Alberta College of Art and Design. Tim Zuck is represented by the Sable-Castelli Gallery in Toronto, Ontario and the Paul Kuhn Gallery in Calgary, Alberta. His work has been included in numerous group and solo exhibitions in Canada, the United States and Europe, and may be found in the collections of numerous Canadian galleries and museums.

Sir William Cornelius Van Horne (1843-1915), principal builder of the Canadian Pacific Railway and prominent businessman, was an important collector of paintings and Japanese ceramics and an accomplished amateur painter. Born in Illinois, he worked for American railway companies in various capacities until 1882, when he was appointed general manager of Canadian Pacific Railway, the construction of which was completed under his direction. In 1888, Van Horne was elected president of the company, and in 1899, he became president of its board of directors. He retired from active work in the company in 1910. Van Horne incorporated the Cuba Company in 1900 following a visit to that country; under its operations he built and operated a railway, sugar plantations and hotels. In North America, Van Horne was executive or director of more than 40 companies, and was considered one of Canada’s most successful businessmen. William Van Horne married Lucy Adaline, daughter of Erastus Hurd of Galesburg, Illinois, in 1867. They had 3 children: Adaline (1868-1941), William (1871-1876), and Richard Benedict (1877-1931). The family lived principally in Montreal, and also had residences in St. Andrews, New Brunswick, and in Cuba. Van Horne was knighted (KCMG) in 1894. Sir William’s art collection is considered to have been the most prominent pre-First World War collection in Montreal. It contained Old Master and 19th-century European paintings and Japanese ceramics, and also featured ship models and European decorative arts. Van Horne lent regularly to the Montreal Art Association (precursor to the Montreal Museum of Fine Arts) from 1887 to 1912. His reputation as a collector resulted in his appointment to the consultative committee of the Burlington Magazine in London from 1905 until his death in 1915. Following Sir William’s death, the bulk of his ceramics collection was left to the Royal Ontario Museum in Toronto and the art collection passed to the joint ownership of Lady Van Horne and her children Adaline and Richard Benedict, according to terms of Sir William’s will. Lady Van Horne died in 1929. Under the terms of her will, a portion of the art collection went to the Montreal Museum of Fine Arts and the rest was shared among her children. Richard Benedict Van Horne died in 1931. His widow, Edith Molson, had no claim to any share in the remains of the art collection; subsequently she married R. Randolph Bruce. A fire at the Van Horne mansion in 1935 did not damage any paintings. Adaline Van Horne, who had been managing the collection through the 1930s, died unmarried and childless in 1941. Ownership of the collection then passed to Richard Benedict and Edith’s son William C.C. Van Horne (1907–1946) and his wife Margaret (d.1987), familiarly known as “Billie” (née Hannon). When William died, leaving no heir, ownership of the collection remained with his wife. Margaret Van Horne managed the art collection for over forty years, corresponding with art dealers and conservators in order to achieve optimal values for paintings. Numerous paintings were sold in several different auction sales over the course of this time. She continued to live in the Van Horne mansion until 1972. The house was demolished the following year to great protest in the architectural conservation community. When Margaret Van Horne died in 1987, the remainder of the collection passed to her brother Matthew Hannon. Upon Matthew Hannon’s death in 1988, the remainder of the art collection passed to his heirs.

John Bernard Boyle (1941- ) is an artist, activist, curator and writer who has lived and worked in St. Catharines, London, Elsinore, and Peterborough, Ontario. He married Janet Perlman, with whom he has one daughter, Emily. Boyle was educated at London Teachers’ College and the University of Western Ontario, and is self-taught as a painter. He taught elementary school in St. Catharines intermittently between 1962 and 1968. In 1974 he moved with his family to a converted church in Elsinore, Ontario (near Owen Sound), where he had his studio until 2002. He is currently based in Peterborough. Boyle began to exhibit his paintings in 1964, the same year he was inspired by meeting London artists including Jack Chambers and Greg Curnoe. In 1966 controversy arose at the London Public Library and Art Museum over Boyle’s exhibited piece Seated Nude. Boyle was an early participant in London’s 20/20 Gallery. In 1972 he designed sets for the play Buffalo Jump at Theatre Passe Muraille, Toronto; that same year he curated the first Billboard Show in St. Catharines. In 1980 Boyle completed the mural Our Knell for Queen Subway Station, Toronto. From 1973 through the 1990s, Boyle exhibited regularly at Nancy Poole’s Studio, Toronto. A key figure among the artist activists who established professional representation and rights for artists in the early 1970s, Boyle was the founding spokesperson of Canadian Artists Representation Ontario (CARO) in 1971. In 1970 he served as the first president of the Niagara Artists Co-operative (later Company). Boyle was a member of the Board of Trustees of the Art Gallery of Ontario, 1975-1977. Boyle has written extensively in journals including 20 Cents Magazine, Parachute, and Twelve Mile Creek. His regular column “According to Boyle” in CAROT (1975-78) dealt with challenges facing artists. Boyle has written three novels, No Angel Came (1995); and the unpublished The Gergovnians and The Peregrinations and Permutations of a Young Artist in Canada. His illustration and book design work includes The Port Dalhousie Stories by Dennis Tourbin (1987), as well as several magazine articles and book jackets. He initiated the discipline of “Canadology” in 1989 to record the social customs of the country. Boyle is a founding member (since 1965) and principal kazooist of The Nihilist Spasm Band. His work is represented in numerous Canadian collections, including the National Gallery, the Art Gallery of Ontario and the Montreal Museum of Fine Arts.

Goldwin Smith (1823-1910) was a prominent journalist, academic and liberal reformer who spent the latter part of his life in Toronto. Born in Reading, England, he was educated at Eton College and Oxford University, and was the Regius Professor of History at Oxford from 1858 to 1866. Smith began to publish widely on history and political reform. He moved to the United States in 1868, and taught briefly at Cornell University, to which he retained a connection for the rest of his life. He moved to Toronto in 1871, and married Harriet Elizabeth Mann (née Dixon) the widow of William Henry Boulton, in 1875. Smith thus became master of the Grange house and estate in central Toronto, and became a pillar of Toronto society. His journalistic career included a brief employment at the Globe, after which he joined independent publishing ventures including the Canadian Monthly and National Review and the Evening Telegram. He then published his own journal, the Bystander, sporadically between 1879 and 1890. Smith also published widely in other local and international news journals. He took part in important civic and educational reform initiatives, including serving on the new board of the University of Toronto. The Grange remained his wife's property and was willed by her to the city of Toronto to serve as a public art gallery, later becoming the first home of the Art Gallery of Ontario.

John Hamilton Bush (1909–1977), primarily known as Jack Bush, was a Canadian painter best known for his Abstract Expressionist style. Born in Toronto, he lived in London, Ont. and Montreal during his early years. Jack Bush began his career in advertising, working in his father’s firm, Rapid Electro Type Company in Montreal. During this time, he studied at the Art Association of Montreal with Edmund Dyonnet and Adam Sherriff Scott. In 1928, he transferred to the company’s office in Toronto, where he took evening classes under Frederick Challener, John Alfsen and Charles Comfort at the Ontario College of Art. Bush’s early work as a painter was influenced by Comfort and the Group of Seven, and throughout the 1930s and ‘40s he produced largely landscape and figurative paintings. His first exhibition was with the Ontario Society of Artists in Toronto in 1936.
In 1934, Jack Bush married Mabel Mills Teakle, a family friend from Montreal, and together they had three sons, Jack Jr (b. 1936), Robert (b. 1938) and Terry (b. 1942). In 1953, dissatisfied with Canada’s place in the international contemporary art scene, Bush and several other Toronto abstract artists founded the group Painters Eleven. William Ronald, another member of Painters Eleven, and an artist who had worked in New York, introduced U.S. art critic Clement Greenberg to the group, which led to a lasting friendship between Bush and Greenberg. The contact with Greenberg in 1957 led to Bush’s international breakthrough in the early 1960s, beginning with his 1962 exhibition at the Robert Elkon Gallery in New York. Between the late 1950s and mid ‘60s, Bush painted in loose brushstrokes with diluted oils, staining paint onto unprimed canvas. In 1966, concerned by the health hazards associated with oil-based paints, he switched to water-based acrylics, less textured than oils but more brightly coloured.
In 1964, Jack Bush’s work was included in Greenberg’s Post-Painterly Abstraction at the Los Angeles County Museum, an exhibition that travelled to Minneapolis and Toronto. Along with Jacques Hurtubise, Bush represented Canada at the Bienal de São Paulo (Brazil) in 1967. In the year preceding his death in 1977 (from a heart attack), he received the Order of Canada. That same year, the Art Gallery of Ontario mounted a retrospective exhibition of his abstract works that travelled to several Canadian galleries. Jack Bush’s work is in the collections of the Art Gallery of Ontario, the National Gallery of Canada, the Montreal Museum of Fine Arts, Boston’s Museum of Fine Arts, London’s Tate Gallery and others.

Henry Sandham (1842-1910) was an illustrator and painter who lived successively in Montreal, Boston, and London, England. He was associated with the Montreal studio of William Notman, where he received his early training, later headed the art department, and was briefly a partner. Sandham produced illustrations for several leading magazines of his day, including the Century Magazine.

Mercer Union was created by former members of A.C.T. in 1979 to operate as an artist-run, non-profit cooperative gallery. Twelve founders contributed financially to the rental of a ground floor space at 29 Mercer Street and planned to mix local, regional, national and international exhibits, collaborating with other artist-run programs. Its mandate was to exhibit new work in the most advanced forms of painting and sculpture that was not receiving exposure in the commercial and public galleries. Performance art, installations and music were incorporated into the programming, which has continued to represent innovative and sometimes controversial material. Twelve board members are elected by dues-paying members and serve on the various committees (programming, curatorial, etc), with the help of a small paid staff. The gallery moved to 333 Adelaide Street West, 5th floor in 1981 and 439 King Street West in 1994. Their present location is 37 Lisgar Street; current information about the gallery can be obtained at www.mercerunion.org.

A.H. Howard (fl. 1889-1904) was an artist and member of the Toronto Art League.

Anna Belle Wing Kindlund (later Mrs. Alois Trnka), 1876-1922, was an artist born in Buffalo, New York. She studied with W. Hitchcock in Buffalo, and G. Bridgman in New York. She was a member of the Buffalo Society of Artists and the New York Society of Craftsmen, and is listed in Who Was Who in American Art as a painter and miniaturist.

The Arts and Letters Club of Burlington, Ontario was formed in 1948 by a small group of dedicated women as an out-growth of the Roseland Book Club. Its purpose was to develop interest in literature and the arts, through the circulation of books, lectures on literary topics, art, music, films and drama. The early meetings were held in the Lion’s Club Hall, later in Trefoil Lodge, and then in the Burlington Central Library.

The Burlington Spectator was published as a section of the Hamilton Spectator [Ontario, Canada] between 8 September 1986 and February 1988. Its launch on 8 September 1986 followed the takeover and closing of the Burlington Gazette which had been published since 1896. Originally published six days a week, the Burlington section began to appear less frequently. Its office at 534 Brant Street was closed in 1988 and remaining staff moved to the Spectator offices in Hamilton.

George Blair (1852-1935) was a prominent member of the Burlington, Ontario community as a builder and fruit farmer, an elder and treasurer of Knox Presbyterian Church and a municipal councillor. He also served several terms on both the public and high school boards and was also a member of the Fruit Growers Association. Many of the houses that Blair built are still standing and several of them have plaques from the Burlington Heritage Committee. Blair was born at Harper's Corners, Ontario and as an adult, lived and worked as a carpenter in Kilbride. In 1886, he built a home for his first wife, Lorentia (nee Parkin) and their family at 472 Burlington Avenue, Burlington. In 1893, the now-widowed Blair married Hannah Smith (nee Shepherd), who was also widowed. George Blair feared the effect of city living on their sons and so bought a 50-acre fruit farm on Brant Street. Though rural in character, it was still within the boundaries of the Town of Burlington. Together, the couple raised their several children: George's two sons H. Melvin and Ferguson G., and daughter, Mary Grace, Hannah's two sons, Henry Melvin Smith and Edward (Ted) Shepherd Smith, as well as the couple's sons George Stanley and John Nicoll, and daughters Eva Marion and Mabel Beatrice.

Jacob Cooke was born in England in 1908 and emigrated to Canada in 1927, eventually settling in Burlington, Ontario. He worked as a carpenter’s helper for Pigott Construction (based in Hamilton, Ontario), and later specialized in the laying of hardwood floors. In 1935, he purchased a hand operated block making machine and began manufacturing concrete blocks in the evenings in a shed at the back of his home at 3 New Street (now 2109 New Street). The blocks were to be used as bases for Christmas trees that decorated Brant Street that Christmas season.

In 1937, he installed his first power-operated block machine. He purchased sand and gravel from Frank Scheer on St. Matthew’s Avenue. The demand for concrete blocks continued, so what had begun as a small cottage industry expanded to larger premises on St. Matthew’s Avenue in Aldershot, on lands purchased from George Filman. An adjacent 55 acre gravel pit provided the raw materials needed for the rapidly expanding operation.

Jacob Cooke purchased property in Aldershot, Oakville and Hamilton. He and employee Brant Coleman developed these properties and sold them to builders. In 1952, they developed the Glen Acres survey (Birdland) on the Filman property. The streets were named after birds in honour of William Filman, who used to have a bird sanctuary on the property. As the business expanded, Jacob Cooke purchased Joe DeLuca’s farm which became the site of the Cooke Business Park at 35 Plains Road E.

By 1953, J. Cooke Concrete Blocks was the largest producer of concrete blocks in Canada, each day producing enough to build 30 houses. The company was in operation around the clock and produced ten million eight-inch blocks per year. Jacob Cooke, retaining the land development company, sold the concrete block business in 1958. His son William (Bill) stayed on to manage the company with his brother Eugene Barrymore (Barry) as Plant Manager. The company was sold again in 1977 and 1998.

At the age of 62, Jacob Cooke visited family in Australia and decided to pursue opportunities there. Convincing his son Barry to join him, Jacob purchased, cleared and planted thousands of acres of land. Jacob Cooke died in Australia on 6 November 1976.

William Jacob Cooke (Bill) was born on Maple Avenue in Burlington on 1 June 1931. He and his brother Eugene Barrymore (Barry) attended Maplehurst Public School and Waterdown High School. Bill married Mary Elizabeth Gray (Bette) on 19 February 1955. Bill carried on the concrete block business after his father and brother moved to Australia, and also became involved with land development.

Some of the areas developed in Aldershot by the Cooke family are Birdland, Harbour Heights, Oaklands Estates, Fairwood Place West, and the Cooke Business Park adjacent to the former concrete block plant. The Cooke family developed over 800 residential lots in the Aldershot area. The property now known as Oaklands Estates on Burlington Bay was purchased by Jacob Cooke in the early 1950s and was later developed into a residential street by Bill. Bill lived at 160 Oaklands Park Court, the home he built there in 1959. In the Fairwood Acres survey on North Shore Boulevard, Bill named the streets after his children: Daryl, David, Lynn and Lee. Bill’s wife Mary died in 2000; he later married Louise Oates. He died in Burlington on 12 May 2005 at the age of 74.

Robert (Bob) Elstone was an active member of the Burlington, Ontario community. His obituary reads: “… Bob was a man of vision and courage who wore many hats with a passion. Not only was he a WWII veteran (First Mate in the Merchant Navy), but an ambitious agriculturalist, naturalist, historian, entrepreneur, volunteer, world traveller, map enthusiast, master mariner, and master swimmer. He was the proud proprietor of Elstone Stationery for almost fifty years which was the hub of the community. His goal was to help and serve people. He was known as “Mr. Rotary” and during his years of service he has been involved in the formation of nine Rotary clubs including two in Egypt; as well as the past president of Burlington Central. Bob was the co-founder of the Burlington Rotary Fall Music Festival. He has been honoured twice with the Paul Harris fellowship, Rotary’s highest honour. He was instrumental, along with others, in establishing the Burlington YMCA., He received the first achievement award in 1976. For 36 years he had a teen program on Saturday nights at the YMCA and over one hundred teen weekend camps over the years. Bob was honoured as citizen of the year for Burlington in 1997. He was also the chairman of the Burlington Beautification Committee and Chairman of the Burlington Uniform Hours Association. He was an Honorary Life member of Hamilton-Burlington YMCA, Burlington Historical Society, Hamilton Naturalist Club and West Flamborough Heritage Society….”

The Gallagher and Whatmough families have histories that are closely intertwined. The Gallaghers migrated to Hamilton, Upper Canada in 1836, then lived in Rochester, New York for four years before settling in East Flamborough, Upper Canada. Two Whatmough men, Charles and Isaac, came to Upper Canada in 1858 and 1863, from the area around Manchester, England. Their parents and other family members seem to have moved back and forth between the two counties, with most settling in the Toronto/Burlington/Hamilton, Ontario area. The Gallaghers appear to have been farmers, in the main, while the Whatmoughs produced a number of architects and businessmen. Howard Gallagher (1897-1987) was active in the Flamborough and Waterdown Agricultural Society, Gordon Gallagher (1900-1985) was on the town planning committee which prepared Burlington’s first Official Plan, and served as deputy reeve and reeve of Burlington. Percy Gallagher (1901-1987) was a builder and developer who registered the White Oak Manor commercial and residential development survey, Plan 1124, in 1958. Charles T. Whatmough (1837-1885) opened a hardware business on King Street East in Toronto. Arthur Edwin Whatmough (1884-1971) was an architect who designed residential buildings in Toronto in the Arts and Crafts style until the Great Depression (1931). His son, Grant Alan Whatmough (1921-1999) was a naval architect and designer of private houses throughout southern Ontario. Isaac Abraham Whatmough (1842-1911), the second in his family to emigrate, worked in Toronto and Simcoe, where he joined the Norfolk Rifles, and spent some time in Chicago during the Civil War before returning to Toronto to work in his brother Charles’ hardware store.

Knox Presbyterian Church in Burlington, Ontario was established in 1845 as Knox Presbyterian Church, Wellington Square. It wasn't until 1873 that the name of the town was changed to Burlington. Land was donated for a new church by Andrew and Martha Gage, and a small log building was constructed in the summer of 1845. The church was governed by a united Session with Knox Presbyterian Church in Waterdown, until 1877. In that year, a new church building was constructed as well. In 1925, the congregation voted to remain with The Presbyterian Church in Canada.

The Ontario Fruit and Vegetable Growers’ Association (OFVGA) was established in 1859 as the Fruit Growers' Association of Ontario, making it one of Ontario and Canada’s oldest farm commodity organizations.

As the voice of Ontario’s fruit, vegetable and greenhouse farmers, the OFVGA is a nationally recognized not-for-profit association that advocates on behalf of Ontario fruit and vegetable farmers and the edible horticulture industry, and represents its members provincially, nationally, and internationally.

Sam and Ayala Zacks were prominent Canadian art collectors of international repute active in the mid-20th century whose gifts form the basis of the modern European art collection at the Art Gallery of Ontario. Ayala Ben Tovim Fleg Zacks Abramov (1912-) was born in Jerusalem and educated in Israel, Paris and London. In 1938 she married Maurice Fleg in Paris, and joined the French Resistance after her husband died in action in1940. Active in Zionist circles after the war, she met Sam Zacks in Switzerland. Samuel J. Zacks (1904-1970) was a financier, Zionist and art collector, born in Kingston Ontario and educated at Queen’s University and Harvard. Following their marriage in 1947 they immediately began to collect art of the School of Paris as well as Canadian and Israeli art and antiquities, amassing an extensive collection by the late 1950’s that was in continual demand by museums around the world. In 1956 a collection of Canadian art was donated to Queen’s University, Mr. Zack’s alma mater, the first of many significant gifts to institutions in Israel and Canada including the Hazor Archaeological Museum, the Royal Ontario Museum and the Art Gallery of Ontario. Mr. and Mrs. Zacks were both involved in international art circles, sitting on the Boards of the International Committee of Museums (ICOM), a branch of UNESCO, the International Committee of the Museum of Modern Art, the Art Gallery of Ontario and others. In 1969 Mr. Zacks received an Honourary Fellowship from St. Peter’s College, Oxford. He died in 1970 in Toronto. After his death, Ayala Zacks was awarded the Order of Canada and an honourary degree from the University of Toronto. She married Zalman Abramov, an Israeli lawyer and politician in 1976 and moved permanently to Israel in 1982.

Samuel J. Zacks (1904-1970) was a financier, Zionist and art collector, born in Kingston Ontario and educated at Queen’s University and Harvard. He married Ayala Ben Tovim Fleg in 1947, whereupon they immediately began to collect art of the School of Paris as well as Canadian and Israeli art and antiquities, amassing an extensive collection by the late 1950’s that was in continual demand by museums around the world. Mr. and Mrs. Zacks were both involved in international art circles, sitting on the Boards of the International Committee of Museums (ICOM), a branch of UNESCO, the International Committee of the Museum of Modern Art, the Art Gallery of Ontario and others. In 1969 Mr. Zacks received an Honourary Fellowship from St. Peter’s College, Oxford. He died in 1970 in Toronto.

The Wartime Prices and Trade Board is a former Canadian government agency, established on September 3, 1939, by the Mackenzie King government, under the authority of the War Measures Act, in the Department of Labour responsible for price controls and inflation control. The board was abolished in 1951, upon the lapse of the Continuation of Transitional Measures Act, 1947.

Established in 1975, the Faculty of Music delivers music education and related activities at Wilfrid Laurier University. As of 2013, undergraduate degree options include an Honours Bachelor of Music (BMus) degree and an Honours Bachelor of Music Therapy (BMT) degree. The faculty also offers Master of Music Therapy and Master of Arts in Community Music degrees. In addition to the degree programs, there are several supplementary and post-graduate options including three diploma programs, a practicum program and a management option. The Faculty of Music invites guest artists from around the world to contribute to the course offerings and hosts a number of affiliated artists, beginning in 1967 with Peter van Ginkel. Every year the faculty produces a number of concerts and recitals of traditional, new and original music. The concerts showcase the talents of WLU students and special guests in a variety of styles and forms including jazz, opera and orchestra.
The institution’s involvement with music dates back to first half of the 20th century when it was known as Waterloo College. Initially, musical activities at the college were the domain of student groups such as the college choir and the glee club. In the years following World War II the interest in music had grown at the college. There was an annual student musical known as the Purple and Gold review and the college choir led by Dr. Ulrich Leupold regularly toured the parishes of Southern Ontario. In 1945 Dr. Leupold established the Department of Music with the class Music10. By 1956 the college offered two courses in music history and theory, as well as one course on church music. In 1965 a music program was formally created by Dr. Walter Kemp. This new program allowed students to earn a Bachelor of Arts with a major in music. In 1969, a new three-year Bachelor of Music degree was introduced and was to commence in 1970.

The Music Department remained affiliated with the Faculty of Arts for the next five years. Traditionally, the department held classes in the chapel and in a music room in the Arts Building. However, these facilities did not suit department’s needs and in 1971 classes were moved into two houses on Bricker Street. Due to noise complaints from neighbouring residents, the music department was soon asked to vacate the houses. The department was then moved into the garage of the President’s House (Alumni Hall). On May 1st, 1975 the Department of Music became the Faculty of Music. Dr. Christine Mather was named the first Dean and was inducted on November 3, 1975. That same year, the Faculty of Music was moved to Macdonald House. In 1979, Dr. Gordon Greene became Dean and held the position for two consecutive terms. In 1988 the Faculty was moved to the newly constructed John Aird Centre, which contains the Maureen Forrester Recital Hall, the Theatre Auditorium, classrooms, practice rooms and offices. This purpose-built centre remains as the current home of the Faculty of Music. In 1989, Anne Hall was appointed Dean. Other Deans of the Faculty of Music include Dr. Charles Morrison (Appointed in 2000) and Dr. Glen Carruthers (Appointed in 2010).

Jim Stapleton was a student at Waterloo Lutheran University (now Wilfrid Laurier University) from 1961 to 1965.

Emily Howard Jennings Stowe (1831-1903) was a teacher and principal, a medical doctor, and a suffragette. Educated at home, Stowe became a teacher in 1846 and graduated from the Provincial Normal School in Toronto, Canada West in 1854. In 1865 Stowe applied to study medicine at the University of Toronto, but was denied entry because she was a woman. Unable to pursue her education in Canada, she attended the New York Medical College for Women. After graduating in 1867, Stowe returned to Toronto to practice medicine without a license. In 1870 she was allowed to attend the University of Toronto and was granted a medical license in 1880. In 1877 Emily Stowe organized Canada's first suffrage organization, initially called the Toronto Women's Literary Club, which later became the Toronto Women's Suffrage Club.

Ann Augusta Stowe-Gullen (1857-1943) was a medical doctor, a lecturer and a suffragette. She was born in Mt. Pleasant, Ontario, the daughter of John Stowe and Emily Howard Jennings. She married John Benjamin Gullen in 1883. She died in Toronto. Stowe-Gullen was educated at the Toronto School of Medicine, then at the Faculty of Medicine at Victoria University, Toronto, where she became an M.D. in 1883, the first woman to graduate from a Canadian medical school. Immediately after graduating she was appointed Demonstrator in Anatomy at the Woman’s Medical College in Toronto (from 1894 onwards known as the Ontario Medical College for Women). In 1890 she was appointed Lecturer on Diseases of Children, subsequently Professor of Diseases of Children. She also served among the original staff members of Toronto Western Hospital (founded in 1896). Stowe-Gullen was a member of the Ontario College of Physicians and Surgeons, the Ontario Social Service Council, the Senate of the University of Toronto where she represented women in the medical profession (1912-24), the Toronto Board of Education (1892-96), the University Women's Club, the Women's Art Association, the Women's Board at Toronto Western Hospital, and the Women's Canadian Club. She was also active in the suffrage, temperance and other social movements. She was among the founders of the National Council of Women in 1893, (President) of the Canadian Suffrage Association, (Vice-President) of the National Council of Women, and she succeeded her mother as President of the Dominion Women’s Enfranchisement Association in 1903. In 1935 she was awarded the Order of the British Empire.

Henry A. Regier (1930 - ) was a professor of zoology and environmental studies at the University of Toronto until his retirement in 1995. Regier received his BA from Queen's University, a professional teaching certificate from the University of Toronto, and his PhD from Cornell University. In 1966 he joined the University of Toronto. Henry Regier's research interests include the Great Lakes, human use of aquatic systems, world population, and climate change. Regier served as a Canadian commissioner on the Great Lakes Fishery Commission, from 1980 to 1989. From 1987 to 1990 he served on the Great Lakes Science Advisory Board of the International Joint Commission of Canada and the USA. Regier has received many awards, including the Conservation Award of the Federation of Ontario Naturalists in 1980, the Centenary Medal by the Royal Society of Canada in 1986, the Award of Excellence of the American Fisheries Society in 1992, and the Lifetime Achievement Award from the International Association of Great Lakes Research in 2005.

Pioneer Construction was founded in Sudbury by Joe Salvalagio, Pietro Coltinari, and Mario Negusanti in 1938. The team hired Alex Macgregor as manager shortly after.

By the 1950s Pioneer Construction was tackling city and highway road construction, sewer and watermain projects, while expanding into the mining, forestry and railroad industries. In 1954, Pioneer Construction was home to the first asphalt plant in the North. Company ownership transferred to Grant Henderson, Peter Crossgrove and then to Jamie Wallace in 1976. Today Pioneer Construction builds and maintains highways and municipal roads across Northern Ontario.

John Frederick Nathanael Spady (1879-1947) was a musician and composer in Waterloo, Ontario. Taught by his mother, who was the organist at St. John’s Lutheran Church in Waterloo for more than 30 years, Spady excelled as a pianist and violinist. He authored more than 600 pieces of music.

Personal Studio was founded by Robert T.G. Nicol and a friend, and officially opened for business on March 21, 1946. Nicol was the sole photographer and owner by the fall of 1946. For the next fifty years Robert Nicol documented the Waterloo Region through personal and commercial photography. He pioneered the concept of wedding albums in the local area. He had started flying in 1961 and from that time on took aerial photographs as well as studio and candid photography. In the course of his career he maintained memberships in professional photographers' organizations as well as completing continuing photographic educational courses offered by those organizations. He retired as a professional photographer in 1996.

Robert Langen (19-- -) was a professor at Wilfrid Laurier University in Waterloo, Ontario, until his retirement in 1984. Langen received his BA from Waterloo College in 1948, and his MA from the University of Toronto in 1956. In 1954 he became a lecturer at Waterloo College (now Wilfrid Laurier University) and eventually became the first chairman of the Philosophy Department. Robert Langen was involved in many committees and organizations, including the Cultural Affairs Committee, and a local chapter of the World University Service of Canada. In 1989 Wilfrid Laurier University named its art gallery in his honour.

Harold Russell was a student at Waterloo College from 1954 to 1958. He was a member of the Waterloo College Detachment of the University of Western Ontario Contingent of the Canadian Officers' Training Corps.

APT Environment is an environmental organization in Elmira, Ontario, that is interested in the Chemtura Canada Company, formerly Uniroyal Chemical and Crompton Company. Since 1941 the plant has undergone various name and ownership changes. From 1966-2000 the plant operated as Uniroyal Chemical, from 2000-2006 as Crompton Company, and on July 1, 2006 formally changed its name to Chemtura Canada Company.

Jim Birtch (19-- - ) is the Executive Secretary of the Canadian Biosphere Reserves Association, a non-profit association incorporated in 1997, to provide support and networking relationships that help develop and maintain biosphere reserves throughout Canada.

The Beaver Valley Heritage Society began in the mid 1970s as a group of concerned citizens, and was incorporated in 1981 as a non-profit citizen's organization created to preserve and protect the natural environment of the Beaver Valley in Ontario. The Beaver Valley's territory runs through the four townships of Artemesia, Collingwood, Euphrasia and St. Vincent. It stretches over 25 miles, from Flesherton to Georgian Bay at Thornbury. The Beaver Valley Heritage Society endeavors to represent the interests of the Valley's residents and anyone who wishes to support the Society's objectives of opposing inappropriate development in the Valley. The Society supports development, provided it occurs in approved areas, and does not impact on wildlife, fishing, and the natural environment. The role of the Society is to present the views of its members in a coherent, concise and organized way to the decision-making bodies that have jurisdiction over the Beaver Valley.